Summer 2025 featured a variety of new releases across a wide range of genres, from rap to 80s-style pop. . Tyler, the Creator reminded audiences to stop scrolling and start living, Conan Gray turned heartbreak into synth melodies and Katseye attempted to stake a claim in the pop world.
Tyler, the Creator – Don’t Tap the Glass
Tyler’s latest album is a satirical reaction to the modern concert experience, where screens often get more attention than the stage. “Don’t Tap the Glass” highlights Tyler’s awareness of how digital culture has changed the way audiences engage with music. The strong dance beats and lighthearted lyrics are a strong contrast to his prior albums, such as Chromakopia, which dealt with much heavier themes of self-discovery and aging. The album utilizes humor and sharp observations to urge listeners to be more present in the moment, both at his concerts and in everyday life.
Katseye – Beautiful Chaos
Katseye’s new album, “Beautiful Chaos,” is polished and energetic, featuring well-produced music videos, strong choreography and charismatic performances that make it fun to watch. The group knows how to put on a show and engage their fans with artistic styles that connect to their k-pop roots. However, the songs often fall flat. Exciting dance numbers and well-coordinated costumes can’t hide how formulated many of the tracks feel. The trending track, “Gnarly,” offers fun TikTok-worthy clips, but the EP offers little depth or lasting impact. Katseyey delivers bright, entertaining performances with fun, engaging members, yet the music itself is simple and not innovative. .
Conan Gray – Wishbone
Conan Gray’s album “Wishbone” is an emotional rollercoaster told through shimmering, synth-heavy 80s-pop. The album captures the ache of young love and loss which does not shy away from vulnerability. Tracks like “This Song” and “Romeo” turn personal pain into something cinematic and celebratory. The record remains very true to Conan Gray’s signature emotional pop ballads and lyrics that tell a personal story. Although the album does not take much risk in terms of new styles, it is a solid listen perfect for a rainy day alone in the car.
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